In terms of maybe years or experience, I am a fairly new writer. Having completed my University courses in English Literature and Creative Writing only last year; though I have been developing my stories, especially my main one, namely Blue River Chronicles, for many years, having made up the main character in my early teens. Him being the result of listening to my brother’s music while staring the poster of my teen idol on my cupboard door - but that’s another story and I’m rambling a bit.
The point I’m getting to is that it still amazes me how a well-rounded character actually seems to write the story for you. I’m busy with my second book in the BRC series and in the short time of about 120 000 words (about one and a half books), my character has grown so much; his personality has developed and his true character has come through. I had always planned to make him rather gloomy at times and a little down on himself, but apparently he did not agree with that.
As my story processes, I find him to be a lot more optimistic than expected, in spite of the terrible strife I have put him through. I have found my character reaching out more and more to those around him, instead of pulling back as I had expected, and this is, I am pleased to say, a natural development of him, and of the way the environments and scenes I put him in, contributing to his development. To force him to reform to my ‘expected’ outlook on him, would be to stem the natural development and flow of the true nature of his story, or like eating a pickle with chocolate – doable, but the result is undesired.
The reason why I’m stating my … well adoration, if I can call it that, to my character’s initiative to developing the story, is because in my second book he meets his love interest - his true love interest. I did not want them to fall head over hills for each other, like some characters that spend an hour together and now they’re soul mates - no I’m not that type of writer, but as my main two characters started to spend more time together, it was clear that there was attraction. I had not planned them to kiss until the end of my third book, but to my surprise I ended up writing a kissing scene in the middle of book two that left me blushing by the end of it just as deeply as the female antagonist, who had expected it just as little as I had.
To let the characters lead the way has now become a style that I have adopted in my writing, and the results have been pretty good in my opinion. I might have a destination in mind and a few scheduled stops on the way, but it’s clear that my characters will decided the route we will take on our journey, and that is perfectly fine with me, especially when we end up in a wonderful place by accident.
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Juliet and Tristan |